![]() In I See You, however, the drone shots are used to great effect. The movie features several drone shots - which have become so prominent over the last several years any filmmaker, despite their budget, can throw in a birdseye shot of a car winding down a road. They start finding things in different places than they were left and hearing people in the house when they believe they’re alone.įor a relatively new director, Adam Randall, and cinematographer Phillip Blaubach prove that they have a great eye for visual tension. ![]() As his investigation leads him deeper, strange occurrences start befalling him and his family. Our lens into the story is through Detective Greg Harper (Jon Tenney), who is working the case. ![]() The disappearances seem to parallel an earlier series of murders, but a man is already in jail for those. Written by Devon Graye and directed by Adam Randall, I See You is set in a small Ohio town, along the shores of Lake Eerie (how appropriate) where young boys have started to go missing. On its face, I See You might look like just another straight-to-streaming horror movie, but it is definitely bringing something to the table. Released in the second half of 2019, I See You caught my attention when it was recommended by a critic I respect, Noel Murray. With all of these options though, it’s to be expected that things will get lost in the shuffle. The expansion of viewing options has created opportunities for movies that may have never seen the light of day to find an audience. In defter hands, a similar story might have some punch but, as is, this amounts to a big yawn.Much has been made in the last few years about the effects of streaming distribution on the cinema landscape. People are drugged, bludgeoned, shot, and axed. A man implausibly shows up in broad daylight at his lover's home and paws at her, so oblivious to the inappropriateness of his appearance as to make us question his sanity, and that of the filmmaker who would include such a clumsy plot turn. In the house, the goings-on are so weird that the filmmakers have to tell the whole story again through flashbacks to explain what's been happening. Everyone seems hearing-impaired when it comes to footsteps sneaking up on them. There's a marriage recovering from an extramarital affair, there's an angsty teen, there's a big house where for some reason no one ever turns the lights on while looking for intruders. Irrelevant subplots provide red herrings. A copycat child kidnapper/murderer is on the loose and, sadly, that's a scenario that's been done over and over in other movies, most of them far better than this. ![]() Ominous music accompanies such neutral activities as a car driving into a garage. The makers of the ungainly I See You omitted nary an item from the list of generic thriller must-haves, so nothing about this feels original, fresh, especially scary, or worth one's time. The ominous, horror movie music is designed to tell us that either some punishing supernatural force is at work that even a trained cop can't see or hear, or a masterful psycho killer is loose both inside the house and in their quiet town. Since they're all mad at each other, they all assume one of them is playing tricks - has stolen the silverware, let the hamster out, locked Greg in a closet. Greg and Jackie are on the outs since her extramarital affair, and Connor is furious at his mom for "destroying" the family. It must be a copycat because the MO echoes that of a perp now long behind bars. Greg is part of a team hunting for abducted, possibly dead missing children and the person responsible for the crimes. The creepiness isn't limited to the enormous upper middle-class dwelling shared by therapist Jackie ( Helen Hunt), her cop husband Greg ( Jon Tenney), and their teen son Connor ( Judah Lewis). I SEE YOU suggests supernatural forces are turning the record player on, turning the TV on, making the silverware disappear, locking people in closets. Strange things are happening in the big house.
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